YSL Luxury Crossbody Real Owner Review

The Row Bags: A Complete Guide to the Collection

Almost every one of the luxury handbags announce their label almost before you have registered them. The Row takes the opposite route, and that single choice shapes practically everything that follows in how the handbags are conceived, priced and resold. Founded in 2006 by Mary-Kate and Ashley Olsen, the house takes its name from Savile Row in London, the street that made restraint a tailoring discipline. The company runs from New York City, with a Tribeca design studio since 2012, a Paris office from 2011 and a London office added in 2019. Its own boutiques stand in Los Angeles, New York, London, Paris and Amagansett, and the rest of the business goes through the brand’s own webstore and a short list of stockists. This row bags overview works through the lines worth knowing, the specifications that separate them and the cost of each. Treat every figure below as a market price observed in 2026 rather than an official price list, because the brand publishes no such list.

Reading a The Row Bag Without a Logo

The line carries no exterior logo plaque and no monogram, which means you read these bags by silhouette, proportion and construction instead. A single small, discreet exterior stamp sits low on the side, shaped to melt into the leather rather than interrupt it, and a second stamp is placed inside. Fittings are palladium-plated with a matte or brushed finish, which means the metal absorbs light rather than thrown across a room. Linings are treated as materials in their own right, with nappa, lambskin, calfskin and cotton herringbone turning up where most houses would print a logo jacquard. The instinct behind the label’s tailoring, where a garment is judged by its line rather www.stlaurentbag.com than its label, is applied without dilution. Across the brand’s own product pages, Made in Italy is stated for the Half Moon, Soft Margaux 10 and 12, Margaux Shoulder 12, Bourse Clutch and Terrasse To-Go.

• No exterior plaque, no monogram and no branded fittings anywhere
• Matte or brushed palladium-plated metalwork in place of high-polish gold tone
• Nappa, lambskin, calfskin or cotton herringbone linings
• A single small stamp low on the outer side, with a crisp stamp inside

The Margaux Family, and Why It Is Hard to Buy

The Margaux is the bag most people picture first, and it is currently the most confusing corner of the collection to shop. The Soft Margaux 10 comes in at $3,650, made in 100 percent calfskin with a matte grained finish and a cotton herringbone lining, and runs 10 x 7 x 7.5 inches on a 5-inch handle drop. Fastening is an interior toggle, the side gussets are belted, protective metal feet support the base, and a removable shoulder strap comes with it. Step up to the Soft Margaux 12 at $4,350 and the construction carries over, with 12 x 9 x 7.5 inches and a zip pocket added. At $4,900, the Margaux Shoulder 12 reads differently, with a lambskin lining, elongated tubular handles, the signature adjustable buckles and narrowed gusseted side panels at 14.75 x 9 x 5 inches. A Margaux 17 can be found in leather and canvas at Selfridges, and a Soft Margaux 15 circulates as well, though no reliable retail price can be pinned to either. During 2025 the original was pulled from third-party retailers, and the Soft and Shoulder versions now fill its place on the brand’s own site; that it has been discontinued is widely reported but has never been officially confirmed by the brand.

The Totes, Top Handles and Shoulder Styles

The Park family is the volume engine of the line and the typical first purchase. For the N/S Park Tote, Small is $1,550 to $1,620, Medium $1,650 to $1,950 and Large $1,990 to $3,250; what moves the number inside a size is material and finish, not capacity. The Park Tote spans Small and Medium at $1,450 to $1,620, the Park Tote Three sits between $1,750 and $2,400, and the XL Park Tote is $2,490. Higher up, a The Row tote bag climbs steeply, with Marlo 14 at $5,300, the Alger Tote at $4,900 and the Marco Bag at $6,900. Across the top handles, suede costs the most: India 10.00 sits at $3,850 in leather against $5,370 in suede, while Agnes 15 goes $5,000, $5,800 and $4,300 in leather, suede and a canvas blend. Ida comes in at $3,990, Elise and Agnes 12 both sit at $4,400 and the Iowa Duffle is $5,180, while Idaho anchors the cheap end at $1,420. The spread across shoulder styles is equally broad: Lori $1,350, the 90’s Shoulder $1,450, Alix $1,900, Parker $2,900 and Jean Shoulder $3,900.

Small Bags, Clutch Styles and the Entry Tier

The least expensive row handbags do not read as stripped-down versions of the costly ones; instead, they are smaller problems solved with the same care. The 90’s Bag comes in at $1,090 and has grown into the collection’s quiet cult object, whereas the Half Moon is observed at $1,390, with a leather variant seen at $1,690 at one stockist. Half Moon dimensions differ between sources, so treat the official 8 x 13.5 x 2.5 inches as the reference figure and expect other listings to disagree slightly. At $1,590, the Bourse Clutch shows how much construction sits behind the cheaper end: a calfskin exterior, nappa lining, hinged frame closure, hidden adjustable shoulder strap, 10.2 x 6.5 x 2.3 inches and Made in Italy on the label. The Double Travel Wallet at $590, the Cecily Mini Tote and Ray Pouch at $950 and the Squared Compact Clutch at $1,390 all sit below it. Overhead you find the Terrasse To-Go at $1,950, the Dalia Baguette at $2,700 and the Peggy Clutch at $2,900.

Price Bands at a Glance

Three bands describe the collection closely enough for shopping purposes, and it holds across every category. Roughly $590 to $1,500 is the entry band, the place where most buyers meet the brand. Roughly $1,550 to $3,500 is the middle band, home to the Park totes, most shoulder bags and the better clutches. The top band, roughly $3,600 to $6,900, is where the Margaux family, the India and Agnes top handles and the Marlo totes live. A single rule runs through all three, because suede consistently carries a premium over calfskin on the same silhouette. Simpler still is the second rule, namely that the number in a bag’s name is its width in inches.

No Longer Sold New: Archive Models You Will Only See on Resale

Discontinued shapes account for a large part of the label’s reputation, so knowing them transforms how you read the secondary market. The Bindle is the best known, a suede shape with raw-cut trims, a knotted detail and an open top, reported to have retailed around $1,190, followed by the Bindle Three with its padded handle and removable inner pouch observed near $1,700. The Sofia is a firmly built calfskin flap bag with a metal lock closure and a two-compartment interior, observed on resale between roughly $2,200 and $5,668. Compact and structured, the Devon is a top handle in polished saddle leather with a top zip, a hidden shoulder strap and decorative stitching. Grained or saddle leather, twin handles, a detachable strap, a magnetic closure and both patch and zip pockets constitute the Camden, at approximately 9 x 12.5 x 5.25 inches. Also circulating are the Ascot hobo, the Wander knot crossbody and the nylon Sling 15, none of which carry reliably documented retail figures.

Value, Authentication and Care

The secondary market is unusually strong here, but treat it as observed market behaviour, not investment advice. According to the Rebag CLAIR 2025 report, The Row posted 97 percent brand-level value retention, crossing into the report’s unicorn tier of 85 percent and above for the first time and trailing only Telfar, Hermes and Goyard. The strongest individual result was the N/S Park Tote at 146 percent, followed by the Margaux Tote at 107 percent and the Half Moon shoulder at 106 percent, all ahead of the brand-level number. Canvas, nylon, sisal and seasonal-colour pieces regularly sell below retail, so the strength belongs to black and neutral calfskin in the signature shapes rather than the line as a whole. Searching for The Row for sale second hand involves judging stitching density, hand-painted edges, matte hardware and whether the bag holds its shape empty, since the brand operates no public authenticity coding. Care is dictated by the material rather than any brand-issued protocol: a soft dry cloth on calfskin, dry cloth only on nappa and lambskin, a brush and nothing wet on suede, and spot-cleaning alone for raffia and canvas.